On this page the following entries were made in the “music photography” category.
Archive for “music photography”
CONCERT PREVIEW: New Multitudes pay tribute to Woody Guthrie
By MIKEL TOOMBS
If you like Woody Guthrie (and isn’t it un-American not to?), this band is your band.
Yim Yames (My Morning Jacket front man Jim James’ Monsters of Folk alter ego), Jay Farrar (Son Volt), Anders Parker (Varnaline) and Will Johnson (Centro-matic, South San Gabriel) make up New Multitudes, which on Tuesday released a tribute [...]
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Gene Stout makes his debut at the Seattle Times with Paisley review
By GENE STOUT
With my review of Brad Paisley’s concert Feb. 11 at the Tacoma Dome, I begin writing occasional music reviews and features for the Seattle Times.
Paisley’s “Virtual Reality” tour features sets by The Band Perry and American Idol winner Scotty McCreery.
Paisley, a West Virginia native, offered a dazzling show packed with nearly two dozen [...]
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CONCERT PREVIEW: Hell’s Belles will shake Seattle all night long
By GENE STOUT
Guitarist Adrian Conner, who portrays feisty Angus Young in the all-woman AC/DC tribute band Hell’s Belles, recalls being “thunderstruck” the first time she heard one of the Australian band’s raucous songs.
“I heard ‘You Shook Me All Night Long’ at a high school assembly and immediately got goose bumps,” Conner said in a phone [...]
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CONCERT REVIEW: Tony Bennett celebrates ‘the good life’ in song
By GENE STOUT
What could be a better Christmas gift for a classic-pop fan than a Tony Bennett concert at Christmastime?
The age-defying, 85-year-old crooner rolled into Seattle for a typically classy — and classic — performance Saturday, Dec. 17, at the Paramount Theatre.
Though the concert was short on Christmas songs — he performed such chestnuts as [...]
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CONCERT REVIEW: Guns N’ Roses, Loaded set KeyArena on fire
By GENE STOUT
It was classic arena rock: Axl Rose and Guns N’ Roses — plus former bandmate Duff McKagan and Loaded — on stage Friday, Dec. 16, at Seatle’s KeyArena.
Face-melting pyrotechnics, numerous spotlight solos, five video screens and a split-level stage with a “grille” of LED lights – all done in a red, white and [...]
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